The existence of life is often proven through physical evidence — land, objects, documentation, and historical artifacts. However, the same cannot be said for things that exist beyond human vision or perception. Through Ascension, I explore a futuristic world in which information and history are no longer stored in traditional physical archives, but instead exist as forms of matter and energy. Using pixelation and audio as visual and sensory language, subject matter is transformed into streams of particles, representing the deconstruction and reconstruction of archives once preserved through tangible documentation.

Ascension envisions a future of human existence where information drifts effortlessly through space as both invisible and physical debris. Memories, records, and important details evolve beyond static forms, taking shape through fragmented visuals, frequencies, and sound. In this world, archives are no longer confined to paper or objects, but become living, shifting presences woven into the fabric of space itself.